Clinton Minault, mistiyâpew Unshaken, Acrylic on Recycled Media, 2025

Exhibited: 2025, Grant MacEwan University

In the private collection of Paul Stawnichy

mistiyâpew Unshaken was created with recycling materials, and the development of an amalgamation of learned mediums. Weaved of recyclable reusable shopping bags over a smorgasbord of wood,  egg cartons, pop bottles, garden string and creativity.  Painted utilizing the basic principles of color theory, creating neutral tones through the mixing of primary colors, predominantly unmixed, creating movement and contrast. 

Clinton Minault, maskwa ᒫᐢᑿ, Acrylic on Recycled Clothing, 48”x 48”

Maskwa ᒫᐢᑿ resides at kihew waciston,

Exhibited at Art Gallery of Alberta, BYOB 2025

Maskwa ᒫᐢᑿ,has metamorphosed from mass produced photography into an abstracted surrealist textural pop art color theory study, playing with unmixed neutrals. The bear, in Cree cultures represents healing and strength. Spent clothing was ripped and weaved to create the texture under the paint, calling to attention the global impacts Fast Fashion and Consumerism are having on our environment. Reclamation of Indigeneity through education motivates studies of nature.  

A Metallic Study of Translucency, Opalescence and prismatic playfulness creating a daydream about a magical vessel that can transport your imagination through time to a simpler moment.

Clinton Minault, GayDream, Acrylic on Polyester (2025)

Clinton Minault. To a Park to Bite Kids (2024), Acrylic on Mixed Media, 24”x 36”

Visual Storytelling: My grouchy neighbor and my grouchy rescue dog made fast friends. They would take long walks together, returning happy. When telling a friend about the exchange, they asked there they went on these walks. I could only imagine it was To a Park to Bite Kids.

Clinton Minault, Living among Wilderness,(2024), Acrylic on Canvas, 18”x 36”

Capturing that feeling we get when we encroach upon a wild animal in their habitat, and contemplating that they might feel the same disturbance we would.

Clinton Minault, Sunflower for Grandma, (2024). Acrylic on Sweater. 12”x12”.

in the private collection of Jean Stephens

A present for Grandma Jean, to remind her of all of the fun times we had playing in the garden together. She may have been first to teach me to paint.

Clinton Minault, Mias Manifested Horse (2023), Acrylic on Canvas, 24”x36”

In the private collection of Mia Bhardwaj.

A little girl was dreaming about a horse of her own. This painting kept the dream alive until it materialized.

Clinton Minault, Piglet Party, Acrylic on Canvas (2023), 18”x24”

in the private collection of Kath Oltsher

A friend’s beloved piglet was celebrating a birthday.

I wanted to share his joy.